Analog by John W. Campbell, 1950s
The Ultimate Transport in space is your private asteroid - hollowed out and outfitted with stellar drives. The idea proposed by John W. Campbell – illustrated by Roy D. Scaffo.
via darkroastedblend.com

Analog by John W. Campbell, 1950s

The Ultimate Transport in space is your private asteroid - hollowed out and outfitted with stellar drives. The idea proposed by John W. Campbell – illustrated by Roy D. Scaffo.

via darkroastedblend.com

Futurama by Norman Bel Geddes, 1939
“Speed is the cry of our era,” “Futurama” designer Bel Geddes explained, and he envisioned highways with curved sides that allowed cars in the outer lanes to travel safely at 100 miles per hour. In the world of the future, everything was streamlined, from the curved steel-and-glass skyscrapers in the cities to the teardrop shape of the vehicles that whizzed down the streets on automated radio control, while pedestrians strolled above them on second-story-level sidewalks

Futurama by Norman Bel Geddes, 1939

“Speed is the cry of our era,” “Futurama” designer Bel Geddes explained, and he envisioned highways with curved sides that allowed cars in the outer lanes to travel safely at 100 miles per hour. In the world of the future, everything was streamlined, from the curved steel-and-glass skyscrapers in the cities to the teardrop shape of the vehicles that whizzed down the streets on automated radio control, while pedestrians strolled above them on second-story-level sidewalks

Robocop by Paul Verhoeven, 1987
via imdb

Robocop by Paul Verhoeven, 1987

via imdb

Case Study House #22, by Julius Shulman 1960
via Wirtz Gallery

Case Study House #22, by Julius Shulman 1960

via Wirtz Gallery

Analog by John W. Campbell, 1950s
The Ultimate Transport in space is your private asteroid - hollowed out and outfitted with stellar drives. The idea proposed by John W. Campbell – illustrated by Roy D. Scaffo.
via darkroastedblend.com

Analog by John W. Campbell, 1950s

The Ultimate Transport in space is your private asteroid - hollowed out and outfitted with stellar drives. The idea proposed by John W. Campbell – illustrated by Roy D. Scaffo.

via darkroastedblend.com

Oscar Niemeyer
via amazingfuture

Oscar Niemeyer

via amazingfuture

Futurama by Norman Bel Geddes, 1939
“Speed is the cry of our era,” “Futurama” designer Bel Geddes explained, and he envisioned highways with curved sides that allowed cars in the outer lanes to travel safely at 100 miles per hour. In the world of the future, everything was streamlined, from the curved steel-and-glass skyscrapers in the cities to the teardrop shape of the vehicles that whizzed down the streets on automated radio control, while pedestrians strolled above them on second-story-level sidewalks

Futurama by Norman Bel Geddes, 1939

“Speed is the cry of our era,” “Futurama” designer Bel Geddes explained, and he envisioned highways with curved sides that allowed cars in the outer lanes to travel safely at 100 miles per hour. In the world of the future, everything was streamlined, from the curved steel-and-glass skyscrapers in the cities to the teardrop shape of the vehicles that whizzed down the streets on automated radio control, while pedestrians strolled above them on second-story-level sidewalks

Robocop by Paul Verhoeven, 1987
via imdb

Robocop by Paul Verhoeven, 1987

via imdb

Case Study House #22, by Julius Shulman 1960
via Wirtz Gallery

Case Study House #22, by Julius Shulman 1960

via Wirtz Gallery

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