Analog by John W. Campbell, 1950s
The Ultimate Transport in space is your private asteroid - hollowed out and outfitted with stellar drives. The idea proposed by John W. Campbell – illustrated by Roy D. Scaffo.
via darkroastedblend.com

Analog by John W. Campbell, 1950s

The Ultimate Transport in space is your private asteroid - hollowed out and outfitted with stellar drives. The idea proposed by John W. Campbell – illustrated by Roy D. Scaffo.

via darkroastedblend.com

Futurama by Norman Bel Geddes, 1939
“Speed is the cry of our era,” “Futurama” designer Bel Geddes explained, and he envisioned highways with curved sides that allowed cars in the outer lanes to travel safely at 100 miles per hour. In the world of the future, everything was streamlined, from the curved steel-and-glass skyscrapers in the cities to the teardrop shape of the vehicles that whizzed down the streets on automated radio control, while pedestrians strolled above them on second-story-level sidewalks

Futurama by Norman Bel Geddes, 1939

“Speed is the cry of our era,” “Futurama” designer Bel Geddes explained, and he envisioned highways with curved sides that allowed cars in the outer lanes to travel safely at 100 miles per hour. In the world of the future, everything was streamlined, from the curved steel-and-glass skyscrapers in the cities to the teardrop shape of the vehicles that whizzed down the streets on automated radio control, while pedestrians strolled above them on second-story-level sidewalks

Sheer Wall by Jesse Pietilä, 2009
»The screen is designed to work both in private as well as public spaces. The topological geometry of the wall is to be computer generated individually for each space to achieve desirable performative criteria and fulfill clients needs.The structure realises the concept of emergence in a way that individual elements produce a whole larger than its parts.«
via jessepietila.com

Sheer Wall by Jesse Pietilä, 2009

»The screen is designed to work both in private as well as public spaces. The topological geometry of the wall is to be computer generated individually for each space to achieve desirable performative criteria and fulfill clients needs.

The structure realises the concept of emergence in a way that individual elements produce a whole larger than its parts.«

via jessepietila.com

concave04 by Simon Boudvin, 2006

concave04 by Simon Boudvin, 2006

Untitled by Pieter Vermeersch, 2008
via vvork

Untitled by Pieter Vermeersch, 2008

via vvork

Starship by Bernard Gigounon, 2010
full video

Starship by Bernard Gigounon, 2010

full video

Analog by John W. Campbell, 1950s
The Ultimate Transport in space is your private asteroid - hollowed out and outfitted with stellar drives. The idea proposed by John W. Campbell – illustrated by Roy D. Scaffo.
via darkroastedblend.com

Analog by John W. Campbell, 1950s

The Ultimate Transport in space is your private asteroid - hollowed out and outfitted with stellar drives. The idea proposed by John W. Campbell – illustrated by Roy D. Scaffo.

via darkroastedblend.com

Futurama by Norman Bel Geddes, 1939
“Speed is the cry of our era,” “Futurama” designer Bel Geddes explained, and he envisioned highways with curved sides that allowed cars in the outer lanes to travel safely at 100 miles per hour. In the world of the future, everything was streamlined, from the curved steel-and-glass skyscrapers in the cities to the teardrop shape of the vehicles that whizzed down the streets on automated radio control, while pedestrians strolled above them on second-story-level sidewalks

Futurama by Norman Bel Geddes, 1939

“Speed is the cry of our era,” “Futurama” designer Bel Geddes explained, and he envisioned highways with curved sides that allowed cars in the outer lanes to travel safely at 100 miles per hour. In the world of the future, everything was streamlined, from the curved steel-and-glass skyscrapers in the cities to the teardrop shape of the vehicles that whizzed down the streets on automated radio control, while pedestrians strolled above them on second-story-level sidewalks

Sheer Wall by Jesse Pietilä, 2009
»The screen is designed to work both in private as well as public spaces. The topological geometry of the wall is to be computer generated individually for each space to achieve desirable performative criteria and fulfill clients needs.The structure realises the concept of emergence in a way that individual elements produce a whole larger than its parts.«
via jessepietila.com

Sheer Wall by Jesse Pietilä, 2009

»The screen is designed to work both in private as well as public spaces. The topological geometry of the wall is to be computer generated individually for each space to achieve desirable performative criteria and fulfill clients needs.

The structure realises the concept of emergence in a way that individual elements produce a whole larger than its parts.«

via jessepietila.com

concave04 by Simon Boudvin, 2006

concave04 by Simon Boudvin, 2006

Untitled by Pieter Vermeersch, 2008
via vvork

Untitled by Pieter Vermeersch, 2008

via vvork

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